Bonaventura Peeters

(Antwerp, 23 July 1614 - Hoboken (Antwerp), 25 July 1652) was a Flemish Baroque painter who specialized in seascapes and shipwrecks, known as Zeekens (small seascapes). Peeters, brother of the seascape painters Jan Peeters I, Gillis Peeters, and Catharina Peeters, learned to paint from his father, who became a master in Antwerp's guild of St. Luke in 1607 - 1608, and his earlier works are related to the tonal phase of Dutch landscape painting. Later paintings, however, reflect the stronger colors of Italianate classicism. This shift follows the general changes in artistic style at the time. Like his brother Jan, dramatic shipwrecks with dark billowy clouds, form a significant part of his oeuvre, as do serene ports and "portraits" of ships.Also, while many of Peeters's paintings reflect actual locations, and he may have even travelled along the coast of Scandinavia, his many views of far-away Mediterranean and Middle Eastern ports reflect a growing taste for the exotic and are probably inspired from fantasy and from prints. This tradition developed simultaneously in Flemish painting and in Dutch Golden Age painting, with many artists, including Peeters, working in both Antwerp and in the Dutch Republic.
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Bonaventura Peeters Grobes Seestuck oil painting


Grobes Seestuck
Gemälde ID::  82147
Siehe Galerie in Schweden
Grobes Seestuck
Date by 1652(1652) Medium Oil on canvas Dimensions 50 x 85 cm (19.7 x 33.5 in) cjr
Date_by_1652(1652) _ Medium_Oil_on_canvas _ Dimensions_50_x_85_cm_(19.7_x_33.5_in) _ cjr
   
   
     

Bonaventura Peeters Dutch Ferry Boats in a Fresh Breeze oil painting


Dutch Ferry Boats in a Fresh Breeze
Gemälde ID::  83570
Siehe Galerie in Schweden
Dutch Ferry Boats in a Fresh Breeze
1640s Medium Oil on oak panel Dimensions 33 x 38.2 x 6 cm (13 x 15 x 2.4 in) cyf
1640s _ Medium_Oil_on_oak_panel _ Dimensions_33_x_38.2_x_6_cm_(13_x_15_x_2.4_in) _ cyf
   
   
     

Bonaventura Peeters An Oriental Harbour oil painting


An Oriental Harbour
Gemälde ID::  88436
Siehe Galerie in Schweden
An Oriental Harbour
between 1650(1650) and 1652(1652) Medium Oil on wood cyf
between_1650(1650)_and_1652(1652) _ Medium_Oil_on_wood _ cyf
   
   
     

Bonaventura Peeters The Great Flood oil painting


The Great Flood
Gemälde ID::  90017
Siehe Galerie in Schweden
The Great Flood
first half of 17th century Medium oil on oak panel Dimensions Height: 19 cm (7.5 in). Width: 34 cm (13.4 in). cyf
first_half_of_17th_century _ Medium_oil_on_oak_panel _ Dimensions_Height:_19_cm_(7.5_in)._Width:_34_cm_(13.4_in). _ cyf
   
   
     

Bonaventura Peeters Storm on the Sea oil painting


Storm on the Sea
Gemälde ID::  90402
Siehe Galerie in Schweden
Storm on the Sea
1632(1632) Medium oil on oak Dimensions Height: 58.5 cm (23 in). Width: 84.5 cm (33.3 in). cyf
1632(1632) _ Medium_oil_on_oak _ Dimensions_Height:_58.5_cm_(23_in)._Width:_84.5_cm_(33.3_in). _ cyf
   
   
     

  1  2   Nächst
Vorheriger Künstler       Nächster Künstler     

     Bonaventura Peeters
     (Antwerp, 23 July 1614 - Hoboken (Antwerp), 25 July 1652) was a Flemish Baroque painter who specialized in seascapes and shipwrecks, known as Zeekens (small seascapes). Peeters, brother of the seascape painters Jan Peeters I, Gillis Peeters, and Catharina Peeters, learned to paint from his father, who became a master in Antwerp's guild of St. Luke in 1607 - 1608, and his earlier works are related to the tonal phase of Dutch landscape painting. Later paintings, however, reflect the stronger colors of Italianate classicism. This shift follows the general changes in artistic style at the time. Like his brother Jan, dramatic shipwrecks with dark billowy clouds, form a significant part of his oeuvre, as do serene ports and "portraits" of ships.Also, while many of Peeters's paintings reflect actual locations, and he may have even travelled along the coast of Scandinavia, his many views of far-away Mediterranean and Middle Eastern ports reflect a growing taste for the exotic and are probably inspired from fantasy and from prints. This tradition developed simultaneously in Flemish painting and in Dutch Golden Age painting, with many artists, including Peeters, working in both Antwerp and in the Dutch Republic.

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